심리학의 원리/심리학의 원리2
심리학의 원리/심리학의 원리2
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What most likely remains legitimate, having said that, is that many Gentlemen Have a very considerably less auditory and a more articulatory verbal creativeness than These are apt to pay attention to. The experiment proves how dependent our verbal creativeness is on true emotions in lips, tongue, throat, larynx, etcetera. The usually-acquired concept is that it is only a milder degree of a similar procedure which passed off in the event the matter now imagined was sensibly perceived. Trust me, who For a lot of a thousand calendar year The exact same hard meat have chewed and examined, That from your cradle into the bier No man The traditional leaven has digested! In favor from the sensationalistic or nativistic look at of 1 these types of case, begin to see the important paper by Von Kries, Archiv f. When we come to check hallucinations inside the chapter on Outer Perception, we shall see that this is in no way a point of unusual event. A man blind of his Visible Mind-centres can no additional see darkness out with the aspects of his retina that are related with the Mind-lesion than he can see it out from the pores and skin of his again.
The most vivid touch-images come when we ourselves barely escape local injury, or when we see another injured. It would seem that in such a case the neural process corresponding to the imagination must be the entire tract concerned in the actual sensation, even down as far as the retina. Life somewhat better might content him, But for the gleam of heavenly light which Thou hast lent him: He calls it Reason--thence his power's increased, To be far beastlier than any beast. So far as I know there is only one other published report of a similar experience. Enter not so stall-fed quite, Like elephant-calves about one! A few monographs by competent observers, like Stricker, about their own peculiarities, would give much more valuable information about the diversities which prevail. Moreover there are no facts which oblige us to think that, within the occipital cortex, one part is connected with sensation and another with mere ideation or imagination. To most people the image is at first 'thick,' as the sound of the word would be if they tried to pronounce it with the lips parted. So of a baby crying in a distant part of the house, we are uncertain whether we still hear it, or only imagine the sound.
A good way of bringing the difficulty to consciousness is always that proposed by Stricker: Partly open your mouth after which you can picture any term with labials or dentals in it, including 'bubble, 'toddle.' Is your image under these situations distinctive? The movements of articulate speech Engage in a predominant portion in his psychological lifestyle. I'll Engage in the comedy with artwork. The enigmatic reports with the influence of magnets and metals, even when they be owing, as many contend, to unintentional suggestion to the operator's part, surely contain hyperæsthetic notion, for your operator seeks too as possible to conceal The instant in the event the magnet is brought into Perform, and still the topic not simply finds it out that minute in a method obscure, but might produce results which (in the first instance undoubtedly) the operator didn't look forward to finding. The boy participating in 'I spy,' the criminal skulking from his pursuers, the superstitious particular person hurrying from the woods or earlier the churchyard at midnight, The person shed in the woods, the girl who tremulously has produced an evening appointment together with her swain, all are issue to illusions of sight and sound which make their hearts defeat until They can be dispelled.
THE NEURAL PROCESS WHICH UNDERLIES IMAGINATION? This is inexplicable if the imagination be simply a weaker excitement of the sensational process. The truth seems to be that the cases where peripheral sense-organs are directly excited in consequence of imagination are exceptional rarities, if they exist at all. In persons whose auditory imagination is weak, the articulatory image seems to constitute the whole material for verbal thought. What you have no idea of you cannot miss; and their not definitely missing this great region out of their sight seems due to the fact that their very idea and memory of it is lost along with the sensation. A statistical inquiry on a large scale, into the variations of acoustic, tactile, and motor imagination, would probably bear less fruit than Galton's inquiry into visual images. Now we know that currents usually flow one way in the nervous system; and for the peripheral sense-organs to be excited in these cases, the current would have to flow backward. Were there centres for crude optical sensation below the cortex, the patients in these cases would still feel light and darkness.